LILLIAN BALL

                 

Studio:     7 Harrison St. #3D, N.Y., NY 10013   T (212) 431- 5510  CEL 917-453-5040

                  E mail:  ballstudio@thing.net     Web site:  www.lillianball.com

 

SOLO EXHIBITIONS  / OUTDOOR SCULPTURE

2007         Queens Museum of Art, “GO ECO”- Lillian Ball, interactive game installation
                     Valerie Smith, Curator, Queens, New York

2006         Art Sites, LILLIAN BALL – LEAP OF FAITH wetland project, Riverhead , NY

2002        Josselyne Naef Fine Art, LILLIAN BALL, WATERWORKS, Montreal, Canada

1999          Liberty State Park, "On the Waterfront", Robert Costa – Cur. , Jersey City

1999          Queens Museum/Bulova Center, SUPPORT SYSTEMS –LILLIAN BALL,

                      Jane Farver – Curator, Queens, NY (brochure/photos)

1995          Sculpture Center, LILLIAN BALL SCULPTURE, New York, NY (catalog)

1992           Rubin Spangle Gallery, " LILLIAN BALL , NEW WORK ", New York, New York

1990          Hudson River Museum, Gallery + Courtyard Installations, Yonkers, NY (bro.)

1989          Socrates Sculpture Park, Site Specific Sculpture, Long Island City, NY (cat.)

                      Snug Harbor Cultural Center, Site Specific Sculpture, Staten Island, NY (cat.)

 

SELECTED GROUP SHOWS

2007       WEATHER REPORT, Lucy Lippard, cur, Boulder Museum of Contemporary Art
                    WATER & ENVIRONMENT, Ice video, Swedish Embassy, Washington, DC

2006       THE DROP, curator Jodi Hanel +Jeanette Ingberman, Exit Art, NY, NY

2005       GROUNDWORKS: Environmental Collaboration in Contemporary Art,

                      Grant Kessler, curator, Carnegie Mellon University Gallery, Pittsburgh,PA

                 DIGITAL PRINTS, New York Institute of Technology Gallery, NY, NY

2004      CUTTING EDGE, Pamela Winfrey, cur. Exploratorium, San Francisco, CA

          100 ARTISTS SEE GOD, Baldessari/Cranston- Cur., Independent Curators International,

                  Contemporary Jewish Museum, San Francisco, catalog/photo travels to

                  Laguna Art Museum, Laguna Beach, CA,+ ICA, London

                ALLURE ELECTRONICA, Wood St. Galleries, Pittsburgh, PA  (catalog/photos)

2002       HELLSAPOPPIN, Sculpture Exhibition from collection, MAMCO, Geneva

                ARCHIPELIGO, Ann Shostrom, Cur. Denver Museum for Contemporary Art

                ARSENAL, Petra Stilper - Curator, Die Wandelhalle, Cologne, Germany

2001        SURFACE SUPPORTS, Josee Bienvenue - Curator, 123 Watts Gallery, NY, NY

2000       ACHIEVING FAILURE, Gym Culture, Bill Arning -Cur.Threadwaxing Space, NYC

                  TRUNK SHOW, Ann Shostrom - Curator, Zoller Gallery, Penn State University

                  TECH KNOW LOGIC, Michele Thurs - Curator, Moving Image Gallery, NYC

1998          CHROMOFORM, Color in Sculpture , Francis Colpitt – Curator,  U. Texas Art

                     Gallery, travels to 8 other venues, (catalog/photographs)                                                      

                  22/21 VISION " Dan Devine - Curator, Hoffstra Univer. Hempstead, NY (cat.)

                   TICK, TICK, TICK , Dave Borawski - Curator, Real Art Ways, Hartford, Ct

                  REAL FICTION, Begg + Kyriakou – Curs. Wigmore Fine Art, London, (cat.)

1997            FORMES DU SIMPLE , Christian Bernard, MAMCO, Annemasse,France

                  YARD SALE, Special K Exhibitions, Los Angeles, California 

                  OBJECT ART,ART OBJECT, Elga Wimmer Gallery, New York, New York

                  ABSTRACTED AND UNFIXED, Mora+Tsao - Curators, Art in General, NYC

1996           ABSTRACT/REAL, Dr. Lorand Hegyi, dir/cur, Museum of Modern Art,

                        Vienna, Austria, (catalog / photographs)

                  THE TRANSFORMAL, Maia Damianovic, curator, Vienna Secession, Vienna (cat)

1995           THE TIME IS NOW - Tony Shafrazi Gallery, New York, New York

             OBJECT LESSONS, Lloyd + Keough  - Curators, Mass. College of Art, Boston,

                  Massachusetts (catalog/photos)

                  BLAST, Udo Kittlemann - Cur. ,Cologne Kunstverein, Cologne, Germany

                  CRITICAL MASS, Charles Long  - Curator, M. A. C., Dallas, Texas  (catalog)

1994           " Critical Mass ", Charles Long - Curator, Yale Univ. Art Gallery, New Haven, CT

                  " Bioinformatica ", Sandra Gering Gallery, New York, NY   (catalog)

                  " Bad Girls ", Marcia Tucker - Curator, New Museum, New York, NY (catalog)

                  " Bad Girls West ", Marcia Tanner- Cur. UCLA Wight Gallery, Los Angeles

                   " Flow ", Sabina Ott - Curator, Cerritos College Art Gallery, Los Angeles, CA

1993             " 1920 " - Jeanette Ingberman /Papo Colo - Curators, Exit Art, New York, NY

                  " Interzone ", Karin Bravin - Curator, John Post Lee Gallery, New York, NY

                     DUH, Stephanie Theodore Gallery, New York, New York  (brochure)

1992             " Getting to kNOw you:Sexual Insurrection and Resistance ", Tannert+McNeil

                             Curators, Kunstlerhaus Bethanien, Berlin, Germany (catalog/photos)

                  " The Gift", Concept and Catalog, Dooley le Cappelaine, New York, NY (cat.)

                    " An Esemplastic Shift ", Paul Bloodgood - Cur, A.C. Project Room, NY, NY

                  " Ecstasy", Joyce Kim -Curator, Dooley le Cappelaine Gallery, New York, NY

                  " Tabloid ", Mahoney / Cullen - Curators, Hawkins Gallery, New York, NY

                  " Une Annee D' Edition ", Urdla Editions, Villeurbanne, Lyons, France

1991             " A Lick of the Eye ", David Pagel - Cur. Shoshana Wayne, Santa Monica

                  " Double Take " NYFA Fellows Show, Mott Ives Gallery, New York, NY

1989            " Mixed Messages ", Fredericke Taylor- Curator, Ruggerio Henis, New York, NY

1988            " Ball, Strezlek, & Wood ", Barbara Toll Fine Arts, New York, NY           

                    " Artists Working, Bard College, Annandale - on - Hudson, N.Y.

                  " Works on Paper " Weatherspoon Art Gallery, Greensboro, N.C.

                  " Sculpture ", Henry Feiwell Gallery, New York, NY

1987            " Poesia Personale ", Kit Snyder - Curator, Sala Uno Galleria, Rome, Italy

                  " Selections 1987 ", Kellie Jones - Curator, Artists Space, New York, NY

                  " Small Works ", The Sculpture Center, New York, NY

1986            " 4 Pieces by 4 Sculptors ", Bill Arning - Curator, White Columns, New York, NY

                  " Emerging Sculptors 1986 ", Marion Griffiths-Cur.,The Sculpture Center, NYC

                  " Transformations ", Steve Westfall-Curator, Richard Green Gallery, New York, NY

1980           " Sculptural Forms ", The Aldrich Museum, Ridgefield, Connecticut

                  " Other Media ", Florida International University, Miami, Florida (cat.)

 

FELLOWSHIPS AND AWARDS

2005         Long Island Sound Futures Fund Grant with Peconic Land Trust
                          education/ restoration of Harper Preserve which the artist helped preserved

                     NY State Foundation for the Arts Fellowship in Computer Arts

1999-00   John Simon Guggenheim Foundation Fellowship in Visual Arts

1991            New York State Foundation for the Arts, Grant in Printmaking

1989           Artists’ Space, Visual Arts Committee, Materials Fund, NYC

1986-7       National Endowment for the Arts, Individual Sculpture Grant

1979           National Heritage Trust Grant, Artpark , Lewiston, N.Y.

 

PROFESSIONAL EXPERIENCE

2008          Spring Sem. -Sculpture:Environmental Art Activism, Cooper Union School of Art

2007          Curator, CALLED TO ACTION: Environmental Restoration Projects by Artists,
                      art sites, May 5-June 3rd, Riverhead, New York

2006          Interview  about LEAP OF FAITH with Bonnie Grice on WLIU radio

                     Panelist (GO ECO)-Games 4 Change conference, The New School, NY NY

                     Interview about LEAP OF FAITH from THE DROP review on NY1 TV, NY, NY

2002-03   Graduate student advisor, Maine College of Art, Portland, Maine

2001          Visiting Artist, guest lecturer, UCLA Graduate Dept, Los Angeles, CA

2000        Visiting Artist, guest lecturer, The Virtual Life of Sculpture, Mt Holyoke College

                  Guest lecturer, Artists who Use Glass, College Art Association, New York, NY

1998           Visiting Artist, guest lecturer, Vermont Studio Center, Johnson, VT

1997           Visiting Artist, guest lecturer, Rhode Island School of Design, Providence

1996           Artist in Residence, Pilchuck Glass, Stanwood, Oregon

1995           Participating Artist, Time Capsule Book, New York, NY

                  Collaborator on Bioiinformatica - Blast 4, X - Art Foundation

1993           Visiting Artist, School of Visual Arts Graduate Dept., New York, NY

             Visiting Artist, Vermont Studio Center, Johnson, Vermont

1992           Guest Lecturer, Academie der Kunst, Berlin, Germany

                  Guest Lecturer, New York University, Sculpture Department, New York, NY

                  Panelist, The Ecstasy Panel, Dooley le Cappelaine Gallery, New York, NY

1991            Invited Artist, International Contemporary Art Cruise, France, Spain, Italy       

                  Invited Artist, Urdla Print Publishers, Villeurbanne, France

1988-91       Sculpture Instructor, NY Feminist Art Institute, New York, NY

1988           Ajudicator, Connecticut State Sculpture Grants, Hartford, Conn.

1987           Visiting Artist, sculpture department, Rhode Island School of Design, Providence

                  Invited Artist, Garner Tullis Monoprints, Santa Barbara, California

1979-80     Assistant to Jackie Winsor, New York, New York

1978           Guest Lecturer, Boston University Program in Arts, Boston, Mass.

 

SELECTED BIBLIOGRAPHY

2007       Strand, Ginger, Zen and the Art of Compromise, Orion, + photo, Nov./Dec. 2007 Aguirre,
                   Veronica, Art+Ecology=Wildlife Preservation, SPOT#46, photos, Mexico City Eilperin,
                   Juliet, Art that Gives Chills, The Washington Post, April 12, photos
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/11/AR2007041102370.html

2006       Rogers, Pat, Artist Finds Passion in Preservation, Southampton Press, August 17 Civiletti,
                   Denise, A New Art Site, Suffolk Times, August 10, photos

2004       Lazere,Arthur, 100 Artists See God, Culture Vulture.net, March 18

                  Winn, Alice, The Female Form, PULP- Pittsburgh, February 19th

                  Thomas, Mary, Appeal to the Senses , Pittsburgh Post- Gazette, February 7

                  Shaw, Kurt, New Perspectives Blossom, Pittsburgh Tribune-Review, Feb 8 (photo)

                Isenberg, Robert, Women in the Electronic Age, Pittsburgh AOL Cityguide-,TOP PICK

2002       Gluckstern, J., Archipeligo, ART PAPERS, September/October

                  Bollen, Christopher, Surfaces + Support Systems, TIMEOUT MAGAZINE, Jan 3

1999           Bagg, Mary, Color Makes a Comeback, THE VALLEY ADVOCATE , April 13

                  Walker, Marina, Color my World, SANTA BARBARA NEWS, Dec.17(photo)

                  Zimmer, Bill, Peripatetic Project Takes Root, NY TIMES, NJ edition, August 8

1998           Newhouse, Edie, Talent, NEW YORK MAGAZINE , August 10  (photo)

                  Harrison, Helen, 22/21 Vision - Hofstra, NY TIMES , October 11 (photo)

                  Nahas,Dominique 22/21 Vision- Hofstra, REVIEW  , Volume 4, Number1

                  Zimmer, William, Mirror of the Moment..., NY TIMES , May 31 (3 photos)

1997            Cotter, Holland, An Era Still Driven to Abstraction, NY TIMES , April 11

                  Mahoney, Robert, Art Object, Object Art, TIME OUT, January 16-23

1996           Metzger, Rainer, "Abstract / Real ", Der Standard , November 23

                  Hegyi, Lorand, " Abstract/ Real ", catalog (photos), Museum of Modern Art Vienna

                  Damianovic, Maia " The Transformal ", catalog (photos), pub. by Vienna Secession

                  Metzger, Rainer, " Transformal ", Der Standard, Photo, March 23

1995           Clarkson, David, Now is the Time, FLASH ART , October

                  Bouligand, Francoise, En le Matiere, Le Pays, July 28, (photo)

                  Moody, Tom, Critical Mass, ART PAPERS, Photo,Summer

                  Rubinstein, Raphael, Bioinformatica, Art in America,,  July (photo

                  Damianovic, Maia, Need to Desire, Lillian Ball-Sculpture Center Catalog

                  Newhouse, Edie, NEW YORK MAGAZINE, March 27th,  (photo)

                  Levin, Kim, VILLAGE VOICE, Choices, March 15th

                  Mitchell, Charles; More than Meets the Eye, DALLAS MORNING NEWS, Feb 17

                  Sherman, Mary, Boston Press Herald, January 25th          (photo)

                  McQuaid, Cate; The Ways of All Flesh, BOSTON PHOENIX,Feb 3,  (photo)

1994          Long, Charles, " Critical Mass" Catalog / Photo, Yale University

                    Morgan, Margaret," Bad Girls West", Art + Text, May (photo)

                  Canning, Sue, " Bad Girls - Part 2"/ Photo, ART PAPERS, July / August (photo)

                  Weissman, Benjamin," Bad Girl Blues ", ARTFORUM, May

                  Baker, Kenneth, " Bad Girls Do Cry ", San Francisco Examiner, February13th

                  Greenstein, M.A, Interview, Artweek, March 10th , Volume 25 , #5

                  Tucker, Marcia,  " Bad Girls" Catalog, New Museum

1993           Braff, Phyllis, " Hybrid Sculpture" New York Times, June 13 th   

                  Cotter, Holland, "1920 at Exit Art" New York Times, April 16th

1992           Pogade, Daniela, " Tritt ins Hinterteil ", Berliner Zeitung, Nov. 27th

                  Cottingham,Laura,"Getting to Know You"/ Photo,Neue Bildende Kunst, Fall

                  Tannert, Christoph, "Sexual Insurredtion and Resistance" Catalog/ (photos)

                  Carrier, David, Lillian Ball at Rubin Spangle, Tema Celeste , Fall  (photo)

                   Bourdon, David, Reviews, Art in America,  September 1992

                   Myers, Terry, "Minimalism Gets a Life: Lillian Ball"s Sculptures and

                             the Real World" , JUNI Spring 1992, published in German

                  Mahoney, Robert, " Tabloid  "  Catalog , April

                   Smith, Roberta, " An Esemplastic Shift " NY Times, June 19th

1991            Kandel, Susan," LA in Review " Arts Magazine, November (photo)

                  Myers, Terry, " Lick of the Eye Review ",  ART ISSUES, November

1990          Mahoney, Robert, "New York in Review"  Arts Magazine, November (photo)

                    Zimmer, William, "Intersection of Art & Nature ",  N.Y.Times , June 17

                  Dodds, Jane, " Sculpture City " Art in America , January

                  Bloemink, Barbara, " Lillian Ball - Sculpture " Hudson River Museum (photos)

1989           Brenson,Michael,"Bold Sculpture..." New York Times, July 21  (photo)

                  Mahoney, Robert,"New York in Review" Arts Magazine, November (photos)

                  Trebay, Guy, "Machine Dreams", Village Voice, October 31

                  Egbert, Elizabeth, Curator's Essay, "Outdoor Sculpture" Catalog, (photo)

1987           Jones, Kellie, Curators Essay, "Selections" Catalog. Artists Space (photo)

                   Snyder, Kit-yin, "Personal Poetics" Catalog, Sala Uno, Rome (photo)

1986           Brenson, Michael,"Emerging Sculptors 1986", N.Y. Times, December

                   Kingsley, April, "Highly Specific Objects", Emerging Sculptors Catalog, (photo)

 

 

PUBLIC COLLECTIONS

              

               Emily Fisher Landau Museum, Long Island City, New York

               Museum of Contemporary Art, MAMCO, Geneva, Switzerland

               Progressive Insurance Corporation, Cleveland, Ohio

               Bingham, Dana, & Gould Attorneys; Boston, Massachusetts

               Andre Emmerich Sculpture Park; Pawling, New York

               William Patterson College, Patterson, New Jersey   Catalog available